There are a lot of things going on in the city right now (as there will be all summer), so I figured the easiest way to share the information would be in a single round-up post.
- The Edmonton International Jazz Festival and The Works Art & Design Festival both wrap up this weekend. If you have the chance, check them outbefore they’re over.
- “Bash’d” the gay rap opera by Edmonton theatre alumni Chris Craddock and Nathan Cuckow is being performed as an off-Broadway production in New York City right now. The New York Times gave them a good write-up recently.
- The Freewill Shakespeare Festival (formerly the River City Shakespeare Festival) began this week, and continues everyday (excluding Mondays) until July 20. This year’s productions are “As You Like It” and “Richard III.” I’ve seen both already and they’re both good, though I have to admit that the performances don’t seem quite as strong as in past years. If you’re only able to make it out to one of the plays this year, I’d suggest going for the comedy, “As You Like It.”
- The Feats Festival of Dance begins tomorrow. I honestly didn’t even know that Edmonton had a dance festival until I started checking out the upcoming festivals at FestivalCity.ca. It looks like the festival includes a wide range of dance types, so there should be something for just about everyone.
I haven’t really pimped the Raving Poets as much as I usually do this season, but attendance has been a bit slim compared to past seasons, so I figured I’d dedicate some words to my boys and girls down at the Kasbar.
First, the W5 on the Raving Poets:
Who: Anyone and everyone. If you want to read a poem, just show up and add your name to the list. 16 readers are drawn from the hat. If your name is pulled, you are now a Raving Poet for the night. There are, of course, regulars, but everyone is welcome.
What: An open mic poetry night with live improvised music.
Where: Kasbar Lounge, in the basement of Yianni’s Taverna (10444 Whyte Avenue).
When: Every Wednesday until the end of May. Sign-up is at 7:30pm, readings start at 8pm.
Why: Because words matter, and they’re worth sharing. And because Edmonton has an incredible poetry scene. Even if you aren’t interested in sharing your work, there is always something worth watching.
And, on top of that, the Raving Poets will be selling “heart beat” pins this Wednesday—$5 for a pack of 4—with the proceeds going to the Heart and Stroke Foundation. Not only will you get to hear some great music, some great poetry, and drink a lot of good booze, you’ll also be able to donate money to a worthy charity and get some cool buttons in return.
As a dude with a heart condition, the Heart and Stroke Foundation is one of my favoured charities, so you can bet I’ll be shelling out my $5. Plus, I love buttons and pins, so it’s a win-win situation.
After being on hiatus since December, the Raving Poets are back with their 2008 Spring Season, titled Heart Beat.
For those who may not know about the Raving Poets, here’s a run down of what goes on at these things:
- People drink a lot of alcohol.
- People read poems—some are good, some are not-so-good, almost all are interesting in one way or another.
- The band rocks out (jazzes out?).
There is, of course, a bit more order and structure than I’m letting on, but the point is that the Raving Poets Experience is unlike anything else. It’s part spoken word, part live improvisational music, and part bacchanalian release.
If you’ve never experienced the Raving Poets, I highly recommend you come and check it out. It runs every Wednesday at 8:00pm for the next 13 weeks down at Kasbar Lounge (10444 Whyte Avenue, downstairs from Yianni’s). If you want to get on the reader list, you’ll have to arrive early: sign-up is at 7:30pm and closes promptly at 8pm.
For more information about Heart Beat, check out the Raving Poets website.
And now, for the final piece(s) of the night, Duke Ellington’s arrangement of a suite from Tchaikovsky’s The Nutcracker.
Jazz…and The Nutcracker. I’ve never heard this arrangement before, but I’ve got to say I’m loving it. It’s a great twist on pieces that, while great in their own right, can sometimes feel tiresome after hearing them every year when the holidays roll ’round.
It’s funny, like most people, I have some familiarity with The Nutcracker (though, I admit, I’m not a huge fan, so I’m hardly an expert), but I’m having some trouble recognizing the different songs. I mean, I know they’re from The Nutcracker, and I know that I recognize them, but…well…I don’t recognize them.
I realize, of course, just how little sense that phrase makes, but hopefully you’re able to decode my cryptic ramblings and get some sense of what I’m trying to say.
Obviously, I’m not allowed to record this evening’s performance, but I’m sure you can find a version of the Ellington arrangement of The Nutcracker online somewhere. I highly recommend it.
Ah…here’s one I recognize. “Dance of the Sugarplum Fairies,” or, as Ellington’s version is called, “Dance of the Sugar Rum Cherry.” If you’d have told me before tonight that I would ever be using the word “sexy” to describe “Dance of the Sugarplum Fairies,” I’d have called you a liar, but there is some definite sexiness coming from the horn section right now.
And now: “March” (known tonight as “Peanut Brittle Brigade”. Another instantly recognizable yet totally unexpected version of a song that almost everyone in the Western world knows. I can’t say that I disapprove of this version.
Really, this entire Ellington suite has been very cool. It’s very different from the traditional versions, of course, but that’s the beauty of it. I really do recommend looking for a version of it online, or picking up a record if you can find one. You’ll thank me later.
And, that, ladies and gentlemen, is #5.
Note: I’ll probably go through and edit these posts sometime tomorrow, and toss up some afterthoughts, so make sure to check out River City Writer again tomorrow.
And, we’re back… with “Dreaming of the Masters II- Rhapsody GEB,” which was written by Allan Gilliland especially for Eddins, who is conducting and playing the piano. Impressive. And on top of that, he appears to be playing without reading any music. Extra impressive.
Unfortunately, we’re having a moment of technical difficulties—the sound system in the room isn’t working—so I can’t tell just how impressive it truly is. This room is quiet soundproof. We’re able to hear some of the louder parts…and, there we go. We’ve got sound again.
Seriously…conducting and playing the piano? I’ve never seen that before. I don’t want to call it gimmicky, because it’s really not, and he’s doing a good job of it, but it’s so usual that I really don’t know what else to say about this piece.
Let’s start with this: it’s beautiful. I love jazz piano, and this is jazz with an orchestra. It’s got all the playfulness of jazz, with the power of the symphony. Very cool. I’m not even sure what to call this. It’s not jazz, but it’s definitely got elements of jazz to it.
Whatever it is, it’s an enchanting piece of music. It reminds me of the ocean…East Coast ocean, with large waves crashing against cliffs on a grey day. Except, it’s happening in slow motion. And in silence. And in black and white. The music is the soundtrack to a silent movie whose core emotion I can’t quite pin down.
In the midst of this, there is a moment of high energy. We’re in a dance hall or a ballroom somewhere. We’re in the same film, but now there is colour. Are we in the same location? Is this dance hall in a town on Canada’s east coast, or somewhere in New England?
We’re taken back outside for a brief moment before something dark and sinister creeps in. Violence? No. There’s a playful note underneath this seemingly dark section. It’s audible in the music, and visible in the way that Eddins is moving and interacting with the musicians he’s leading.
Still, something here is not quite kosher. There is a tension. Is it a fight? Is it tension between lovers? Whatever it is, we’ve hit the big jazz number. This could be a playful dance between two strong characters, or it could be the lead-up to a fight between two rivals.
And…wow…let’s call that #4 with a bang! If I wasn’t in this room, I might even been standing with the few people who are giving a standing ovation.
Ladies and gentlemen, Bill Eddins has left the stage. And he has returned with a microphone. With rock star panache, he does the whole, “How are you doing out there?” Weak applause are followed by what is essentially an, “I can’t hear you!” Louder applause…
Eddin’s between-song banter proves again the man’s sense of humour, and ability to make classical music accessible to everyone. (Note to the purists: Yes, I’m using “classical” as a broad-sweeping term to cover a wide array of “art music,” which is not necessarily classical music in the technical sense of the term. Deal with it.)
And now…a piece from what may be the quintessential American opera—Porgy and Bess.
I admit, I have absolutely no knowledge of this song. Hell, I has essentially no knowledge of opera. I respect it as an art form, but I often find that those who perform it almost have too much respect for the music. Rarely do they take risks with it. Rarely do they approach old operas from new angles.
There’s something to be said for purity in art, and I would never suggest that we abandon the traditional versions of our great works of art—opera, theatre, film, whatever—but as society changes and moves forward through history, it would be nice to see how our current sensibilities affect our approach to older forms of “high art” such as the opera.
Of course, having about as much knowledge of opera as the chair I’m sitting on, I has no way of knowing whether Eddins and the ESO are taking any risks with this performance. (I realize that this makes my whole tangent about taking risks with opera a bit ignorant, but I stand by it nonetheless.)
Suddenly, we hit a sequence that rings familiar in my ears. I have heard this song before…or at least something inspired by it (or which inspired it?). I can’t place it, but I’ve got Google and Wikipedia for after the show. I’ll inform myself as best I can and, if I figure it out, I’ll report back.
And with the end of that piece, we’ll call this “Dispatch #2.”
Afterthought: I’m hearing the word “musical” tossed about in blogger’s room. Is it a musical or an opera? Proof of my ignorance, I suppose.
The crowd shuffles in. A letter from the mayor regarding ESO conductor Bill Eddins’ tendency to shake his ass while conducting is read. It is, of course, a letter praising what Eddins has done for music in Edmonton (which is that he’s made it more vibrant that ever). Laughter ensues.
Eddins himself walks out. Applause. And we’re into the first piece of the evening.
West Side Story…complete with finger-snapping, but minus the highly-trained dancing gang members. I’ve got to say, I much prefer this symphonic version to the campy musical theatre version of the song, but it does feel weird to have no pirouetting Sharks and Jets stabbing each other with perfect choreography as the song reaches one of it’s dramatic peaks.
Suggestion: split the symphony in half. One side, the Sharks; the other side, the Jets. Knives replaced with cellos and trombones. It’d be a musical disaster, but it might do something to get Edmontonians more interested in the symphony.
Of course, I’m kidding. Despite what the cynics will tell you, Edmonton is an art’s city. From up here in the press box, I can see that most of the seats are filled. This city does love it’s symphony (a little too much, perhaps, given our inclination to every performance and standing ovation).
For those who’ve never seen or heard the ESO perform, the good things people tend to say about them are true. If you have any doubt about their ability to draw a crowd into the music, come to the Winspear and get a seat in one of the balconies. You’ll see the way people lean forward in their seats, even before the first piece is finished, to catch every note.
Even folks like me, who have a rather short attention span, will be completely enraptured and taken in my the quality of the performance (and the famous Winspear acoustics). Even as I try to write this blog entry, I find myself drawn into the music, distracted from the glowing screen in front of me. Given that I may have a minor case of “Internet addiction,” this is no small feat.
And, as this symphonic gang fight wraps up, let’s call that “Dispatch #1.”
Just a quick reminder that tonight is Blog Night @ the ESO. This means that journalist-bloggers Elizabeth Withey and Todd Babiak, as well as 3 random Edmonton bloggers—Eric Mulder, Darlene Hildebrandt, and me—will be blogging about tonight’s ESO performance. There was supposed to be a 4th person, but the Journal hasn’t linked to any other blogs at the time of writing this post, so I’m assuming that there won’t be a 4th citizen journalist type person after all.
So, if you’re not already going to be attending the tonight’s performance, and if you have nothing better to do on a Friday night that to live vicariously through other people’s blogs, please keep your eyes on the 5 blogs listed above.
If, on the other hand, you do have something better to do, feel free to go and do it. It’s absolutely beautiful outside, and these blogs things apparently get etched onto one of the tubes that make up the internet for all eternity. Basically, even if I delete this, you can still find it if you look hard enough (unless I manage to be faster than Google).
The point is this: I will be blogging live from the ESO tonight, as will 4 other people. If you’ve got nothing better to do, read our reports as they come in. If you do have better things to do, well, read our reports later. Either way, read our reports. We writers are a sensitive lot and it makes us feel sad when no one bothers to read the dreck we publish.
A few weeks ago, I entered a contest which I subsequently forgot about. The prize, as it were, is a pair of tickets to the Edmonton Symphony Orchestra (ESO) on February 22, 2008.
But, that’s not all. The deal is that the winners will live blog the performance. I figured that River City Writer would be a perfect blog for this sort of thing.
Evidently, the ESO agreed, as I got a call a few minutes ago informing me that I’ve been chosen to be one of bloggers for this event.
This is very cool. I get free tickets to the symphony, free food and drinks while I’m at the show, an opportunity to meet conductor Bill Eddins (who will also be on piano for this performance), as well as some of the other musicians who’ll be involved.
On top of that, my review of the show will be featured on www.edmontonjournal.com.
As you can imagine, I’m pretty pumped about this. This is the sort of thing I want to be able to do with this blog. But, ticket prices often keep me away from events like this (plus, normally, you can’t blog during a performance).
So, keep your eye to River City Writer on the evening of Friday, February 22, and you’ll get as close to being at the symphony as you possibly can be (without actually being there, of course).
Just a brief round-up of some things that have happened, or will be happening soon, in the Edmonton literary scene.
- Raving Poets & CBC announce winner of the Raving Poets/CBC Face-off Contest: Wednesday night was the final night of the competition for a spot in CBC’s Edmonton Poetry Face-off. The winner does not win the Edmonton Poetry Face-off, but is guaranteed a spot in the competition. All of the competitors gave truly incredible performances, and I’m sure the judges had a tough time coming to a decision. Ultimately, Laurie MacFayden won the spot in the Face-off, so congratulations to Laurie.
- Mark Kozub launches The Uptown Browns: Edmonton literary icon and Raving Poets bassist, Mark Kozub, launched his new novel—The Uptown Browns—on Thursday night at Greenwoods’ Bookshoppe. Based on Mark’s reading at the launch, and the few short chapters I’ve read so far, it’s a damn fine novel. Having been privy to a good amount of Mark’s poetry, this doesn’t surprise me in the least.
- Anton Capri launches 2 physics books: Physicist and poet Anton (Tony) Z Capri will be launching 2 new books on Monday, December 10, 2007. Tony tells me that the books contain various anecdotes about famous physicists, as well as explanations—in layman’s terms—of what these men and women accomplished in their careers. As someone who is fascinated by all things scientific, but who often has trouble understanding higher level concepts, the notion behind these 2 books really appeals to me. The books—Quips, Quotes and Quanta: An Anecdotal History of Physics, and From Quanta to Quarks: More Anecdotal History of Physics—will be launched at the Stanley A Milner Library (7 Sir Winston Churchill Square) in the Centennial Room (downstairs) at 6:00pm on December 10.
- Raving Poets & Writers Guild of Alberta join forces for holiday poetry jam: The Raving Poets and the Writers Guild of Alberta are teaming up to throw a bit of a holiday party for the Edmonton literary community on Wednesday, December 12, 2007. The party will take place at Kasbar Lounge (10444 Whyte Avenue, downstairs), with readings from members of both the Writers Guild, and the Raving Poets (as much as one can be a “member” of the amorphous group that is the Raving Poets). The Writers Guild will be generously providing food from Yianni’s Taverna (upstairs from Kasbar) and, as usual, our good friend Travis will be pouring drinks.
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